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・ Once More (Colonial Cousins album)
・ Once More (Porter Wagoner and Dolly Parton album)
・ Once More (song)
・ Once More (Spandau Ballet album)
・ Once More into the Bleach
・ Once More the Saint
・ Once More to the Lake
・ Once More with Feeling
・ Once More with Feeling (Billy Eckstine album)
・ Once More! Charlie Byrd's Bossa Nova
・ Once More* with Footnotes
・ Once More, My Darling
・ Once More, with Feeling (Blood of the Martyrs album)
・ Once More, with Feeling (book)
・ Once More, with Feeling (Buffy soundtrack)
Once More, with Feeling (Buffy the Vampire Slayer)
・ Once More, with Feeling!
・ Once Municipal
・ Once Nothing
・ Once on a Time
・ Once on This Island
・ Once Only Imagined
・ Once Over
・ Once Over Lightly
・ Once Over Nightly
・ Once railway station
・ Once Sent from the Golden Hall
・ Once There Was a Waltz
・ Once There Was a War
・ Once There Was a War (film)


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Once More, with Feeling (Buffy the Vampire Slayer) : ウィキペディア英語版
Once More, with Feeling (Buffy the Vampire Slayer)

"Once More, with Feeling" is the seventh episode of the sixth season of the supernatural drama television series ''Buffy the Vampire Slayer'' (1997–2003) and the only one in the series performed as a musical. It was written and directed by the show's creator, Joss Whedon, and originally aired on UPN in the United States on November 6, 2001.
"Once More, with Feeling" explores changes in the relationships of the main characters, using the plot device that a demon—credited as "Sweet" but unnamed in the episode—compels the people of Sunnydale to break into song at random moments to express hidden truths. The title of the episode comes from a line sung by Sweet; once the characters have revealed their truths and face the consequences of hearing each other's secrets, he challenges them to "say you're happy now, once more, with feeling".
All of the regular cast performed their own vocals, although two actors were given minimal singing at their request. "Once More, with Feeling" is the most technically complex episode in the series, as extra voice and dance training for the cast was interspersed with the production of four other ''Buffy'' episodes. It was Joss Whedon's first attempt at writing music, and different styles—from 1950s sitcom theme music to rock opera—express the characters' secrets in specific ways. The episode was well received critically upon airing, specifically for containing the humor and wit to which fans had become accustomed. The musical format allowed characters to stay true to their natures while they struggled to overcome deceit and miscommunication, fitting with the sixth season's themes of growing up and facing adult responsibilities.〔Kaveney, pp. 13–42.〕〔Stafford, p. 24.〕 It is considered one of the most effective and popular episodes of the series, and—prior to a financial dispute in 2007—was shown in theaters with the audience invited to sing along.
==Background==
Throughout the series Buffy Summers (Sarah Michelle Gellar), in her role as the Vampire Slayer, is assisted by her close friends, who refer to themselves as the "Scooby Gang". These include Xander Harris (Nicholas Brendon), a young man without particular strengths or talents, but devoted to Buffy and her calling, and Willow Rosenberg (Alyson Hannigan), a young woman who has grown from a shy but gifted student into a strong woman and powerful user of magic. They are mentored by Buffy's "Watcher", Rupert Giles (Anthony Stewart Head), a paternal figure since the first season, when Buffy moved to Sunnydale after her parents' divorce. Xander is engaged to Anya Jenkins (Emma Caulfield), a former vengeance demon who is newly human. They have struggled with disclosing their engagement to the rest of the group and individually doubt their impending marriage.〔
Buffy died at the end of the fifth season ("The Gift"), sacrificing herself in place of her younger sister Dawn (Michelle Trachtenberg) to save the world. In the first episode of the sixth season, Willow, believing Buffy to be in Hell, used magic to bring her back from the grave. Buffy was in fact at peace, in what she thinks was heaven, but she has kept this a secret from her friends. Since her resurrection, Buffy has been lost and without inspiration to perform her duties as a Slayer. Willow is romantically involved with Tara Maclay (Amber Benson), a powerful but ethical witch. Tara has previously expressed concern at Willow's use of her emergent magical powers for trivial or personal matters. In the preceding episode ("All the Way"), Willow cast a spell to make Tara forget an argument about her abuse of magic. In the same episode, Dawn, who has been stealing from stores, including Anya's magic shop, lies to Buffy and goes on a clandestine and almost deadly date. Left to take care of Dawn after the death of their mother in the fifth season ("The Body"), Buffy has come to depend more heavily on Giles. Following Dawn's date, Buffy asks Giles to shoulder responsibility for disciplining her, to his discomfort.〔〔Stafford, pp. 284–285.〕
Buffy's former nemesis is Spike (James Marsters), a vampire. In the fourth season The Initiative, a secret military organization whose mission is to evaluate and eliminate demonic beings, rendered Spike harmless by implanting a microchip in his head that causes him intense pain when he attacks humans. The chip does not affect him when he harms demons and he now often fights on Buffy's side, after at first fighting just for the pleasure of brawling. His motivations changed when, in the fifth season, Spike realized he had fallen in love with Buffy. She initially rejected him, but after and just before her death they had begun to form a friendship of sorts. She has been confiding in him; prior to this episode, he is the only one to whom Buffy has revealed that she was in heaven.〔
Throughout ''Buffy the Vampire Slayer'', music serves as a narrative tool, integral to character development and action. The mood is set by music, characters discuss it, and writers use it to emphasize differences between generations. In an essay on the use of music in the series, Jacqueline Bach writes that in conjunction with the sixth season themes of growing up, "Once More, with Feeling" gives music a central role instead of keeping it in the background.〔Dial-Driver, ''et al'', pp. 38–50.〕

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